Live at Mister Kelly’s to Have American Premiere at the Gene Siskel Film Center | TV/Streaming


David is the son and nephew to the late Marienthal brothers, George and Oscar, who conceived and operated three ground-breaking nightclubs. The London House was opened in 1946, followed by Mister Kelly’s in 1953 and the Happy Medium Theater in 1960. These venues launched the careers of such stars-to-be as Barbra Streisand, Bette Midler, Herbie Hancock, Ramsey Lewis, Lenny Bruce, Lily Tomlin, Mort Sahl, and Joan Rivers. Over 30 live albums were recorded at the clubs including recordings by such immortal artists as Billie Holiday, Oscar Peterson, Ella Fitzgerald, Sarah Vaughan, the Smothers Brothers, Freddie Prinze, and Flip Wilson.

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The filmmakers drew on a comprehensive archive Marienthal has assembled and donated to the Newberry Library’s permanent collection. More than 100 interviews, recordings, photos, and memorabilia tell the story of the movements for free speech, civil rights, women’s liberation, and anti-war that happened alongside the fabulous entertainment. The archive will be curated by the Newberry and presented in part as a major exhibit with public programs in 2023. Non-profit partners include ChiArts and the Jazz Foundation of America.

Theodore Bogosian, the film’s writer and director, is an award-winning independent filmmaker and television producer who has been directing, producing, and writing scores of long-form documentaries for PBS, the New York Times, Discovery, and other networks since 1978. The editor and producer, Scott Dummler, is the proprietor of MintMedia Works and has produced or directed projects in over 20 countries. He is also the producer, director, and editor of Chef Rick Bayless’s public television cooking show “Mexico: One Plate at a Time,” work that has gained him two national Emmy nominations.He has also directed, produced and edited programs for “Ebert Presents At The Movies.” Adam Carston is the senior researcher and associate producer. 

You can view the original article HERE.

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