Tate McRae’s “Housewife” adds a second week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S., a week after it debuted at the summit of both surveys.
The song remains the biggest hit in the world with 64.1 million streams (up 15%) and 3,000 sold (down 52%) globally Oct. 23-29, according to Luminate. It totaled 44.2 million streams (up 32%) outside the U.S.
“Housewife” became the Canadian singer-songwriter’s second leader on each chart, and her first to debut on top. “Greedy” ruled the Global 200 for two weeks and Global Excl. U.S. for five in 2023-24.
Elsewhere in the Global 200’s top five, Karol G, Judeline and rusowsky’s “BbY WOW” rebounds 3-2 after six weeks at No. 1 since September; ADÉLA’s “Nicole Kidman” rises 4-3, off its No. 2 best; Olivia Rodrigo and Chappell Roan’s “Expectations” drops to No. 4 from its No. 2 peak; and Ashe’s “Stop the Wedding!” jumps 10-5 for a new high.
The Global Excl. U.S. top five is rounded by “BbY WOW,” which holds at No. 2, likewise after six weeks at No. 1 since September; “Nicole Kidman,” up 5-3 after reaching No. 2; “Expectations,” which keeps at its No. 4 high; and A2O LITE’s “Neon,” down to No. 5 from its No. 3 peak.
Jamie Miller earns his first top 10 on both the Global 200, where “Babydoll” bounds 37-10, and Global Excl. U.S., surging 31-9. The pop single by the Welsh artist, which he co-wrote, drew 19.8 million streams (up 36%) and sold 13,000 (up 55%) worldwide in the tracking week. It also notches a second week at No. 1 on the U.K.’s Official Singles Chart.
Plus, Felipe & Rodrigo, from Brazil, achieve their first Global Excl. U.S. top 10 as “Pos (Em Brasilia)” pushes 16-10 with 18.7 million streams (up 8%) outside the U.S.
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
The latest charts, dated Nov. 7, 2026, will update on Billboard.com tomorrow, Nov. 3. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
